Edit, colour and sound finished in our own suite on DaVinci Resolve Studio. The people who shot the footage are in the room when it is cut, which shows in the finished film.
We also take on post-only work: rescue edits, regrades and versioning for footage you already have. Send us a link and we will tell you what it needs.
Five recent post-production & grade projects with the films, in one place. Press play on any of them, or open the full case study.
Live show coverage for Major Lazer, capturing the energy of one of the world’s biggest electronic acts in front of a packed crowd, plus a vertical teaser cut for the Galgebra release.
Three films out of a single day at Checkout.com’s padel event in London: a main event film, a vertical Olympics-themed piece and a Diary of a CTO cut. One shoot, three edits, each built for a different audience and channel.
A vertical content series for Defender, shot across forest, fell and nightfall: five short films built for the feed, each one a location and a mood rather than a spec sheet. Cut tight, sized for every platform and made to run as a set.
Event film for Kellogg’s Ode to 80, covering the evening from build through to the final speeches: the room, the guests and the brand moments, delivered as a highlights film plus stills.
Tournament coverage around the ICC Cricket World Cup: the fixtures, the fans and the moments off the pitch, cut for fast turnaround across tournament channels while the competition was still live.
Structure, pace and versions. The master and every cutdown planned from the start, so the social versions are not an afterthought.
Colour graded and sound mixed in-house, with graphics and titles built to your brand rather than a template.
Masters and cutdowns in every ratio and to any spec, from a broadcast delivery to a nine-by-sixteen for the feed.
Anyone with footage that needs finishing: a Northworks shoot, a film shot by your own team, or a project that stalled in someone else’s edit suite.
--- QuestionsYes. Send us what you have and we will tell you honestly what it can become. Most of the time the footage is better than the client thinks.
It depends on length and the number of versions. A two-minute brand film with cutdowns is typically two weeks from footage to master.
Revision rounds are agreed in the quote up front, so you know what is included before we start and there are no surprises at the end.