A brand film has one job: make people feel something about your business. We handle the whole run in-house, treatment, shoot, edit and grade, with cinema-line cameras and a crew that stays small on purpose.
That structure keeps decisions fast and budgets honest. One team owns the film from brief to delivery, so nothing gets lost between departments and the finished work looks like the treatment you signed off.
Five recent video production projects with the films, in one place. Press play on any of them, or open the full case study.
Two days on the BYD stand at the Goodwood Festival of Speed 2026, one of the largest stands at the show, with BYD, Denza and Yangwang side by side. Stand life, the crowd and the Yangwang U9X on the hillclimb, cut vertical for BYD’s social channels.
Car reveal film for NextEV’s Formula E campaign, covering the build-up and the moment the covers came off, cut and delivered for launch day.
A vertical content series for Defender, shot across forest, fell and nightfall: five short films built for the feed, each one a location and a mood rather than a spec sheet. Cut tight, sized for every platform and made to run as a set.
Airport screen advert for the Ibiza Preservation Foundation: a short cut built for a silent, high-traffic environment, where the island itself has to do the talking in a few seconds.
Launch film for the SPATZ AW26 range: product-led, weather-tested and cut to sell the kit on the roads it was built for.
We take the brief, interrogate it, and come back with a treatment you can green-light: the idea, the look, the shoot plan and a fixed number. No day rates, no surprises.
A small, senior crew with cinema-line cameras, on location or in studio. The director and director of photography are the same people who quoted the job, in the room and not on a call.
Cut, graded and mixed in-house. You get the master plus the cutdowns your channels actually need, every ratio, delivered to spec.
Brands, agencies and in-house marketing teams who need a film with a job to do: launch something, explain something, sell something, or make a room feel a certain way. The same crew has shot for Rolls Royce and for a two-person start-up, and the process is the same for both.
--- QuestionsIt depends on shoot days, crew size and what you need delivered. Most brand films sit between one and three shoot days. Send us the brief and you get a fixed quote for the whole job, not a day rate and a guess.
Two to four weeks from brief to master for most films, faster for event highlights. Tell us the date it needs to exist by and we work back from it.
Yes. London is the studio and we travel for the job: Ibiza, Davos, Zurich and Glasgow this year alone, with a second base in Leeds covering the north. Travel is costed up front in the quote.