Stills for brand, event and construction, usually shot alongside the film work so one visit covers both. Fast selects, consistent grade, delivered ready to publish.
From a boardroom portrait to a site at golden hour, the same eye that frames our films frames the stills, so everything you put out looks like it came from one place.
Five recent photography projects in one place. Open any of them for the full set.
01 --- Stella Artois · 2025 · London
Stella Artois at Wimbledon
A Wimbledon-season hosting for Stella Artois, shot in a working glasshouse: a long table laid the length of the room, the strawberry serve built in the vines it came from, and guests through a full afternoon. Product, detail, portrait and room in one pass, delivered as a set that works equally for the brand’s own channels and for press covering the fortnight.
House of Rémy Martin events in London: intimate rooms, considered lighting and the kind of coverage that suits a heritage spirits brand, captured across film and stills.
Festival coverage of Budweiser’s Bud Live activation at Glasgow Green: the red build against the ferris wheel, the stage, the bar, and a crowd watching Scotland on the big screen. Shot from load-in through to the last song, day into blue hour into night, and delivered as a stills library the brand and its agency could run across press, socials and next year’s pitch.
Aerial and location coverage across the Mondrian and Hyde properties in Ibiza during International Music Summit. Drone work along the cliff face and terraces, plus ground coverage of the branded takeovers, giving two hotels a set of assets that sell the location rather than just the rooms.
05 --- West Midlands Combined Authority · 2026 · Leeds
West Midlands at UKREiiF
Three days covering the West Midlands pavilion at UKREiiF, the UK’s largest built-environment gathering. Stand, sessions, panels and the conversations in between, shot as a same-week stills library the team could push straight into press, LinkedIn and next year’s prospectus.
What the stills are for decides how they are shot. Press, socials, a tender document and a website all want different things and we plan for each.
02
Shoot
Alongside the film crew or as a standalone stills day. Portraits, product, room, detail and the moments between.
03
Selects and grade
Edited selects, graded to match the film, delivered in web and print sizes. Full set available on request.
--- Who it’s for
Brands, events and contractors who need stills that match the film. Usually shot on the same day by the same crew, so one visit covers both and everything you put out looks like it came from one place.
--- Questions
Do you shoot stills and film on the same day?
Yes, and it is usually the best way to do it. One crew, one visit, and a set of stills that is graded to match the film.
How quickly do we get the photos?
Same-week for most jobs. For events, a first set of selects the same day so your channels are not waiting on us.
Do we get every photo you take?
You get edited, graded selects as standard, which is what most clients actually want. The full set is available if you need it.
