Vertical, fast-turnaround content built for the feed, not cropped for it. We plan 9:16 from the recce, shoot for sound-off and cut for the first second.
One shoot feeds the whole channel plan: a hero cut plus 1:1 and 9:16 versions, graded to match, sized per platform and delivered while the moment still matters.
Five recent content & social projects with the films, in one place. Press play on any of them, or open the full case study.
Film and stills following a hand-painted Coca-Cola mural in Leeds from first outline to finished wall. Shot across the paint week, cut for social and delivered with a full stills set for press and brand channels.
A vertical content series for Defender, shot across forest, fell and nightfall: five short films built for the feed, each one a location and a mood rather than a spec sheet. Cut tight, sized for every platform and made to run as a set.
Vertical advert for TuneCore with Conor Maynard, built for the feed: hook first, legible sound-off, thirty seconds end to end.
Vertical-first content from Scarecon for RWS Global, shot for the feed and cut tight: atmosphere, detail and the reveal, sized for every platform.
Tournament coverage around the ICC Cricket World Cup: the fixtures, the fans and the moments off the pitch, cut for fast turnaround across tournament channels while the competition was still live.
Formats, hooks and cadence agreed up front. What runs on which channel, in which ratio, on which day.
Framed for 9:16 on the day, not cropped from a landscape edit afterwards. Captions and sound-off viewing are designed in, not bolted on.
Same-day for events, forty-eight hours for most content. Versions per platform, captioned, delivered ready to post.
Brands and events that need a steady run of feed-ready content rather than a single hero film. Product launches, event days, monthly content packages and anything that has to work with the sound off.
--- QuestionsSame day for live events, where we have delivered daily recaps while the event was still running. For planned content, forty-eight hours is typical.
Yes. Vertical is composed on the day with its own framing, not a landscape film with the sides cut off. That is the difference between content that stops the scroll and content that does not.
Yes. Content packages on a monthly cadence are a large part of what we do: a shoot day, a run of pieces, delivered as a batch.